And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
The two officially dated again for a time, with Rihanna maintaining in a Rolling Stone interview that Brown had changed and that any form of abuse would be unacceptable. In 2009, Rihanna was the center of a media firestorm after a domestic violence incident in which her then-boyfriend Chris Brown assaulted her before an awards show. Prior to that, she was in an on-again-off-again romance with longtime collaborator Drake for more than 7 years, starting in 2009. Most notably, she owns the popular cosmetics line Fenty Beauty, which she launched in 2017.
Rihanna has delivered pop hit after pop hit since bursting onto the music scene in the mid-2000s. The album’s lead single, “Work,” featuring rapper Drake, spent nine weeks at No. 1 and earned two Grammy nominations. In January 2016, Rihanna released her eighth album, Anti, allowing Jay-Z’s online streaming site Tidal to exclusively feature the collection of tracks for a week. The album included “We Found Love,” a track with DJ Calvin Harris that won the 2013 Grammy Award for best short-form music video. Less than a year later, when Rihanna was only 16 years old, she left Barbados to move in with Rogers and his wife in Connecticut and work on recording a demo album.
In August 2021, Forbes announced that Rihanna had become one of the richest entertainers in the world, estimating her net worth to be $1.7 billion at the time following the success of her cosmetic company. In lieu of another album, the singer-turned-entrepreneur, born Robyn Fenty, launched Fenty Beauty in 2017 in partnership with luxury goods conglomerate LVMH, which also preceded a short-lived luxury fashion line. “20 years ago, i left my country, my culture, my food, and family to embark on a journey that started with the release of my very first body of music!” she wrote in an Instagram caption alongside a montage of her biggest career moments. Rihanna officially becomes a billionaire and Forbes names her the ‘richest female musician’
The album’s first half features strong 1980s pop influences, while the second half leans more toward traditional R&B. Rihanna’s music is primarily R&B and pop singer, and incorporates elements of various genres like dancehall, EDM, and adult contemporary. Rihanna became the first person to headline a Super Bowl halftime show while pregnant, revealing her pregnancy during the performance. The Super Bowl performance earned Rihanna five Primetime Emmy Award nominations, including one for Outstanding Variety Special (Live). In August, she was honoured with the Michael Jackson Video Vanguard Award at the 2016 MTV Video Music Awards, where she performed a series of medleys of her most successful songs. The album was released exclusively on the streaming service Tidal on January 28, 2016.
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched betista casino halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).
The doo-wop-infused ballad soared to No. 5 on the Billboard Hot 100 back in 2017, and its new certification helps Rihanna extend her record as the female artist with the most Diamond singles in RIAA history. In 2007, Rihanna transformed from a teen pop star into a serious artist with her groundbreaking album “Good Girl Gone Bad,” which featured the iconic single “Umbrella,” featuring Jay-Z. Notable songs from her early career, including “Pon de Replay,” “Unfaithful,” and “SOS,” showcased her versatility and unique sound, quickly establishing her as a prominent figure in the music industry. Incorporating an assortment of genres, the record featured the singles “Pour It Up,” “Stay” with Mikky Ekko, and “Diamonds,” which topped Billboard’s Hot 100 chart for three weeks. Debuting at No. 3 on the Billboard 200, the pop and R&B album produced her longest-charting No. 1 hit, “We Found Love” with Calvin Harris, which topped the song chart for a whopping 10 weeks straight. The album, which mixed pop and electronic music, peaked at No. 4 on the Billboard 200 chart.
The dance-pop and R&B heavy record, which debuted at No. 2 on the Billboard 200 chart, featured several hit songs, including the singles “Don’t Stop the Music,” “Shut Up and Drive,” and “Hate That I Love You” with Ne-Yo. With its follow-up, “Our Song” — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album. With the dance-pop set Loud (2010), she reflected on the fun she had while recording the album, incorporating ballads, party anthems, and empowering love songs.
Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry “Can’t Remember to Forget You” duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for “Umbrella”) and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy “Rehab” is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP’s juggernaut lead single “Umbrella” featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.
Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.
Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing. “Closure” is a “skittering” track that has the same energy as tracks like Lover’s “I Forgot That You Existed,” whereas the ballad “champagne problems” is thematically reminiscent of Swift’s Speak Now track “Back To December” where she takes responsibility for her lover’s heartache. Folklore’s impact on the zeitgeist at a time where everyone was stuck at home helped shape people’s quarantine experience. She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
“SOS” became her first song to reach number one on the Billboard Hot 100, while “Unfaithful” was a top-ten single worldwide. The song was released on May 25, 2005, and became a commercial success, reaching number two on both the US Billboard Hot 100 and the UK Singles Chart. Departing from Def Jam in favour of Jay-Z’s label, Roc Nation, she released the eclectic Anti (2016)—her second number-one album.